Takhti No 1, 2 Mufaradat & Murakkabat Mufradat Woh huroof jo akelay hon, ya'ni kisi dusre harf se na juday hon unhein Mufradaat (Single Letters) kehte hain, total 29 hai. Example:

1. ا (Alif)  2. ب (Baa)  3. ت (Taa)  4. ث (Saa)  5. ج (Jeem)  6. ح (Haa)  7. خ (Khaa)  8. د (Daal)  9. ذ (Zaal)  10. ر (Raa)

2. ز (Zaa)  12. س (Seen)  13. ش (Sheen)  14. ص (Saad)  15. ض (Daad)  16. ط (Taa)  17. ظ (Zaa)  18. ع (Ain)  19. غ (Ghain)  20. ف (Faa)

3. ق (Qaaf)  22. ك (Kaaf)  23. ل (Laam)  24. م (Meem)  25. ن (Noon)  26. و (Waaw)  27. ه (Haa)  28. ء (Hamzah)  29. ي (Yaa)

Murakkabat: Jab yeh huroof aapas mein jud jaate hain to Murakkabat (Compound Letters) kehlate hain. Example: با، تب، ثب ،جَعَلَ، فَتَحَ، يَذْهَبُ Key Point: Mufradaat = Single, separate letters Murakkabat = Joined or compound letters Yaad rakhne ki baat: Qur’an-e-Paak ko sahih padhne ke liye pehle Mufradaat ko saaf, sahih talaffuz ke saath seekhna zaroori hai. Takhti No 3 Harakat Zabar, Zer, Pesh

1. Harakat kya hoti hai? Zabar, Zer, Pesh ko harakat kahte hai, harakat ko jaldi padhe thoda bhi na khinche, Alif hamesha khali hota jo alif khali na ho wo Hamzah hai. Harakat wo nishan hote hain jo harf par lagte hain take uski awaaz (sound) samajh aaye.

2. Zabar ( َ ) — "a" Sound Zabar ki awaz upar ko jati hai "a" jaisi sound nikalti hai. Examples: بَ = ba تَ = ta نَ = na

3. Zer ( ِ ) — "i" Sound Zer ki awaz neeche ko jati hai. "i" jaisi sound nikalti hai, Zer ko maroof padhe majhool awaz se bachen. Examples: بِ = bi تِ = ti نِ = ni

4. Pesh ( ُ ) — "u" Sound Pesh ki awaz samne ko jati hai or honth gol hote hai "u" jaisi sound nikalti hai. Pesh ko maroof padhe majhool awaz se bachen. Examples: بُ = bu تُ = tu نُ = nu

5. Harakat ka Maqsad Harakat se humein pata chalta hai ke harf ko kaise pronounce karna hai. Ye Qur'an E Pak padhne mein bohot madad kartile hain. Takhti No 4 Hurufe Maddah (حروف مدہ) Hurufe Maddah 3 hain: الف) ا) یاء) ی) واؤ) و) In teenon ko kheench kar padhe jate hain jab inse pehle zabar, zer, ya pesh ho. Hurue maddah yani kheench kar padhe jane wale huruf. Tafseel:

6. الف مدّہ) اْ) Jab kisi harf par zabar ( ـَ ) ho aur uske baad الف aaye, to harf ko kheench kar padha jata hai۔ Example: بَا (Baa) Taa (تَا)

7. یاء مدّہ) یْ) Jab kisi harf par zer ( ـِ ) ho aur uske baad‌(یْ ساکن) aaye, to harf ko kheench kar padha jata hai۔ Example: بِیْ (Bee), تِیْ (Tee)

8. واؤ مدّہ) وْ) Jab kisi harf par pesh ( ـُ ) ho aur uske baad واؤ ساکن) وْ) aaye, to harf ko kheench kar padha jata hai. Example: بُوْ (Boo), تُوْ (Too) Examples & Mashq: Alif Maddah (ا) Baa (بَا), Taa (تَا), Jaa (جَا), Khaa (خَا), Zaa (ذَا) Fa,aala (فَعَالَ), Khaafa (خَافَ), Taaba (تَابَ) Ya Maddah (یْ) Bee (بِیْ), Tee (تِیْ), Dee (دِیْ), See (صِیْ), Ghee (غِیْ) Deeni (دِیْنِی), Feehi (فِیْهِ), Arini (اَرِنِیْ), Kitaabi (کِتَابِیْ) Wao Maddah (وْ) Boo (بُوْ), Too (تُوْ), Doo (دُوْ), Soo (صُوْ), Ghoo (غُوْ) Noorin (نُوْرٍ), Tooboo (تُوْبُوْ), Toorin (طُوْرٍ), Yuqeemu (یُقِیْمُ) Khada zabar barabar hai Alif maddah ke Khada zer barabar hota hai ya Maddah ke Ulta pesh barabar hota hai wao maddah ke. Takhti No 5 & 6 Hurufe Leen (حروفِ لین) Huruf E Leen 2 hai (و ، ی)

9. Wao ( وْ ) sakin se pehle zabar ( ـَ ) ho

10. Ya sakin ( یْ ) se pehle zer ( ـِ ) ho In dono haroof ko narm awaz ke sath jaldi ada karein. Huroof-e-Leen bhi ma'roof aawaz se padhe jaate hain.

Yaye ( یْ ) Leen ki Misaalein (مثالیں)

1. عَیْنَیْنِ – Aynayni

2. أَیْنَ – Ayna

3. غَیْرِي – Ghayri

4. هَیْهَات – Hayhaat

5. سُلَیْمَانَ – Sulaymana

Wao ( وْ ) Leen: Misaalein (مثالیں)

1. أَوْ – Aou

2. بَوْ – Bou

3. تَوْ – Tou

4. ثَوْ – saou

5. جَوْ – Jou

6. حَوْ – Hou

7. أَوْفِ – Aoufi

8. حَوْلَ – Houla

9. صَوْمُ – Soumu

10. سَوْفَ – Soufa

Aham points: Hamzah wao zabar aou, Fa zer fi, awufi ( ہجّے ) ( أَوْفِ ) Huruf-e-Leen ko mad ki tarah lamba kheench kar na padhen. Yeh huroof narmi aur halka pan ke sath ada kiye jate hain. Takhti No 7, 8 (Tanween & Noon Sakin) Do Zabar ( ً ) Do Zer ( ٍ ) Do Pesh ( ٌ ) ko Tanween kehte hain. Do zabar ki tanween tan = تً = tan san = ثً = san jan = جً = jan Do zer ki tanween tin = تٍ = tin sin = ثٍ = sin jin = جٍ = jin Do pesh ki tanween tun = تٌ tun sun = ثٌ = sun dun = دٌ = dun Jab Noon par jazam ( ْ ) ho to usay Noon Saakin kehte hain aur Jazam ko sukoon bhi kahte hain. Tanween aur Noon Saakin ki awaaz yaksan hoti hain. Example:

1. بَ نْ = بً ban Mashq (Practice Examples)

2. عَادًا – ‘aadan

3. سَوْءً – saw’an

4. فَمَنْ – faman

5. عَظِيمٌ – ‘azeemun

6. كُنْ – kun

7. رَسُولٌ – rasoolun

8. شَيْئًا – shay’an

9. غَاسِقٍ – ghaasiqin

10. هُدًى – hudan

Takhti No 9 (Izhar) Izhaar ka matlab hai "wazeh aur saaf awaz mein ada karna, yani ke agar Noon Saakin (نْ) ya Tanween (ً ٍ ٌ ) ke baad Huroof-e-Halaqi mein se koi harf aa jaye, to Noon ya Tanween ki awaz ko Zahir karke bila ghunna jald padhenge

Huroof-e-Halaqi 6 hai.

1. ء (Hamza)

2. هـ (Ha)

3. ع (Ain)

4. ح (Haa)

5. غ (Ghain)

6. خ (Khaa) Agar in mein se koi harf Noon Saakin ya Tanween ke baad aaye, to wahan Izhaar hota hai. Yani noon ki awaz ko Zahir karke padhnenge or nak me awaz nahi le jayenge. Examples:

7. مِنْ غِلٍّ Noon Saakin ke baad Ghain (Izhaar)

8. مِنْ خَشْيَةِ Noon Saakin ke baad Khaa (Izhaar)

9. مِنْ عَيْنٍ آنِيَةٍ Noon Saakin ke baad Ain (Izhaar)

10. نَارٌ حَامِيَةٌ Tanween ke baad Haa (Izhaar) Mashq: طَيرًا أَبَابِيلَ لِمَنۡ خَشِيَ يَوۡمَئِذٍ عَلَيۡهَا مِّنۡ عَيۡنٍ آنِيَةٍ مِنۡ أَخِيهِ فَمَنۡ عَفَا مِنۡهُم مِنۡ عَذَابٍ

Takhti No 10 (Ikhfa) Jab Tanween (ً ٍ ٌ) ya Noon Saakin (نْ) ke baad Huruf-e-Ikhfa me se koi harf aata hai, to Noon ki awaz ko naak (nose) me chhupa kar padha jata hai. Jaise Urdu me lafze "پنکھا" me Noon ki awaz chhupi hoti hai.

Ikhfa ki miqdar: 1 Alif ke barabar. Hurufe Ikhfa ki tadaad: 15 Huruf-e-Ikhfa (15 Letters): ت، ث، ج، د، ذ، ز، س، ش، ص، ض، ط، ظ، ف، ق، ك

Examples: 🔹 كُنْتُ تُرَابًا (Noon Saakin ke baad ت aaya — Ikhfa) 🔹 يَتِيمًا فَآوَىٰ (Tanween ke baad ف aaya — Ikhfa) 🔹 كَرَامًا كَاتِبِينَ (Tanween ke baad ك aaya — Ikhfa) 🔹 مِنْ شَيْءٍ (Noon Saakin ke baad ش aaya — Ikhfa) Mashq (Practice Words): مِنْ زَوْجٍ, مِنْ شَيْءٍ, مِنْ قَبْلِكَ, مِنْ كُلّ, مِنْ فَوْقِهِمْ, أَنْفُسِهِمْ, مِنْ دُونِ اللَّهِ, يَوْمَئِذٍ تُحَدِّثُ- Note: Ikhfa ki pehchan aur uski adaigi sirf nazar se nahi, balki correct talaffuz aur makhraj ki mashq se hoti hai. Har jumla me Noon Saakin ya Tanween ke baad kisi Ikhfa harf ko dhoondhne ki aadat daalein.

Takhti No 11 Jazam Sukoon (QalQalah) Hurufe QalQalah 5 hai Qaaf (ق), Taa (ط), Baa (ب), Jeem (ج), Daal (د) inko ek sath (Qutbu Jaddin) padh sakte hain. Jab in huruf par Jazam ( ْ ) ho to inko padhte waqt inke makhraj takkar kha kar alag hote hai yani echo jaisi awaz nikalti hai. Examples:

1. ابْ → “Ab” Ba par Jazam hai QalQalah ke sath Padhenge. (Abb-ba Akhir me ‘ba’ ki awaz ayegi)

2. جَبْ → “Jab” Ba par Jazam hai QalQalah ke sath Padhenge.

3. بَجْ → “Baj” Jeem par Jazam hai QalQalah ke sath Padhenge.

4. قَطْ → “Qat” Taw par Jazam hai QalQalah ke sath Padhenge.

5. سَدْ → “Sad” Daal par Jazam hai QalQalah ke saath padhenge.

Mashq: (Practice words) يَجْعَلُ, لَقَدْ, خَلَقْنَا, أَطْعَمْنَا, نَقْعَا, بُرُوجٍ, مُحِيطٌ

Takhti No 12 Mashq (Sukoon) Jab kisi harf ke upar jazm ( ْ ) ho to us harf ko "Saakin" ya "Sukoon wala harf" kehte hain. Aisa harf bina kisi harkat ke (zabar, zer, pesh ke bina) padha jata hai, aur uske baad aane wale harf ke saath mila kar pronounce kiya jata hai. ➤ Misal: أَبْ Alif par zabar (اَ) aur Ba par sukoon (بْ) hai is liye ise “Abb” padhenge (Alif ki awaz ke saath “Ba” mil jayega. ➤ Mashq: تَجْرِي, تَقْوٰى, لَيْسَ, يَعْلَمُ, يُوَسْوِسُ, يَسْقُوْنَ, وَأَلْقَتْ, أَفَلَا يَعْلَمُ, فَأَلْهَمَهَا, وَتَقْوَاهَا, أَلَمْ نَشْرَح, صَدْرَكَ, أَنْتَ, فَلَهُمْ, مَمْنُونٍ

Takhti No 13 Tashdid ّ (تشديد) Jab kisi harf ke upar tashdid ( ّ ) lagi hoti hai to iska matlab hota hai ke us harf ko do martaba padhenge — pehli baar sukoon yani jazm ke saath aur doosri baar us par harakat yani (zabar , zer, pesh) ke saath. Examples:

1. بَّ = بْ (sukoon) + بَ (zabar) → Pehle sukoon wala "بْ", phir zabar wala "بَ" Pronunciation: Bab’ba

2. دِّ = دْ (sukoon) + دِ (zer) → Pehle sukoon wala "دْ", phir zer ke saath "دِ" Pronunciation: Did’da

Noon (نّ) ya Meem (مّ) Par Tashdeed ( ّ ) ho to us harf ko ghunna ke saath Padhenge Ghunna ka matalab hai thodi der awaz ko naak (nose) rokna, Ghunna ka miqdar 1 alif ke barabar hota hai Examples:

1. إِنَّ اللّٰهَ Yahaan "نّ" par tashdeed hai, Innallaha (ghunna ke saath)

2. ثُمَّ رَدَدْنَاهُ Yahaan "مّ" par tashdeed hai, Summa radadnahu (ghunna ke saath)

3. اللّٰهُمَّ Yahaan "مّ" par tashdeed hai, Allahumma (ghunna ke saath) Tashdeed With Ghunna: إِنَّهُ  ثُمَّ  اللّٰهُمَّ  مِمَّا  أَمَّن Tashdid Without Ghunna: أَبَّ  تَبَّتْ  حَقٌّ  سَجَّرَ  مَدَّ

Takhti No 14 رائے) ساکنہ اور رائے مشددہ) Jazm wali Raw (رْ) ko raye saknah or tashdid wali Raw (رّ) raye moshaddadah kahte hain, Jab Raw par zabar (ـَ) ya pesh (ـُ) ho to Raw pur (heavy) or zer (ـِ) ho to Barik (light) padhe jate hain Raw (رَ / رُ) Zabar or Pesh ke sath (havay sound) رَحْمٰن – Rahmaan رَسُوْل – Rasool رُسُلٌ – Rusulun

Raye sakinah (رْ) se pahle zabar (ـَ) ya pesh (ـُ) ho to Raw pur (heavy) or zer (ـِ) ho to Barik (light) padhe jate hain Raye sakinah se pahle zabar (ـَ) ya pesh (ـُ) Heavy Sound مَرْجِعُكُمْ1. → Mar’ji’kum قُرْآنٍ → Qur’aanin Raye Sakna se pahle zer (ـِ)– Light Sound قِرْطَاسٍ → Qir’taasin فِرْقَة → Fir’qatin (Tashdid wali Raw (رّ) par bhi zabar (ـَ) ya pesh (ـُ) ho to Raw pur (heavy) or zer (ـِ) ho to Barik (light) padhe jate hain)

Mashq & Misalen: مُسْتَمِرٌّ| بَرٌّ | بَرٍّ | دُرِّبَ| فَفِرُّوا| رَبِّ ارْجِعُونِ | أَمَرْنَاهُ | فِرْقَةٌ | قِرْطَاسٍ | مِرْصَادًا | يَغُرَّك | قُرْآن | أَرْسَلْنَا

Takhti No 15 (حروف قمری و حروف شمسی) Agar "ال" kisi Qamri Harf se pahle ho, to (ا) ko nahi padhenge pahle wale hurf ko direct Laam (ل) se mila kar padhenge Huruf E Qamri (حروف قمری) ب، ج، ح، خ، ع، غ، ف، ق، ك، م، هـ، و، ي Examples: وَالْقَمَرِ Wal-Qamari وَالْآخِرِينَ Wal-Aakhireen مَا الْقَارِعَةُ Mal-Qaari'ah هُمْ الْفَاعِلُونَ Hum-ul-Faa'iloon

Agar "ال" kisi shamshi Harf se pahle ho, to (ال) dono ko nahi padhenge direct Laam (ل) ke bad wale hurf se mila kar padhenge Huruf E Shamshi (حروف شمسی) ت، ث، د، ذ، ر، ز، س، ش، ص، ض، ط، ظ، ل، ن Examples: إِذَا الشَّمْسُ Izaa-sh-Shamsu كَانَ النَّاسُ Kaana-n-Naasu يَقُولُ الرَّسُولُ Yaqool-ur-Rasoolu أَقِيمُوا الصَّلَاةَ Aqeemus-Salaata

Takhti No 16 (لفظ اللہ کے قاعدے) Lafze Allah (اللہ) ke Laam (ل) se pahle agar Zabar (َ ya pesh(ُ ) ho to Allah (اللہ) ke laam(ل) ko mota (havey sound) karke Padhenge, or Zer (ِ ) ho to Allah (اللہ) ke Laam(ل) ko barik (light sound) padhenge Lafze Allah (اللہ) ke Laam (ل) se pahle Zabar (َ ) or pesh(ُ ) Examples: إِنَّ اللَّهَ Inna-Allaha قَالَ اللَّهُ Qaala-Lallahu سَمِعَ اللَّهُ Sami'a-Allahu Lafze Allah (اللہ) ke Laam (ل) se pahle Zer (ِ ) بِاللَّهِ Billahi دِينِ اللَّهِ Deenillahi لِلَّهِ Lillahi

Takhti No - 17 (وقف کرنے کے قاعدے) Waqf ke ma‘ni theharna hai. Qur’an paak padhte waqt hum jagah jagah thehrte hain use waqf kehte hain.Aise gol nishan (○) ko ayat kahte hai. (1) Zabar, zer, pesh, do zabar, do zer, do pesh par waqf karte waqt aakhri harf par jazm (sukoon) lagate hai. (2) Do zabar par waqf karte waqt ek zabar ke sath “alif” ki awaaz ati hai. (3) Gol taa (ة) par waqf karne par “haaye sakinah” ki awaaz ban jati hai. أَعُوذُ بِاللّٰهِ مِنَ الشَّيْطَانِ الرَّجِيمِ بِسْمِ اللّٰهِ الرَّحْمٰنِ الرَّحِيمِ الْحَمْدُ لِلّٰهِ رَبِّ الْعَالَمِينَ ○ الرَّحْمٰنِ الرَّحِيمِ ○ مَالِكِ يَوْمِ الدِّينِ ○ إِيَّاكَ نَعْبُدُ وَإِيَّاكَ نَسْتَعِينُ ○ قُلْ هُوَ اللّٰهُ أَحَدٌ ○ إِنَّ مَعَ الْعُسْرِ يُسْرًا ○ فِيهَا عَيْنٌ جَارِيَةٌ ○ عَيْنٍ آنِيَةٍ ○ لَا تَسْمَعُ فِيهَا لَاغِيَةً ○

Takhti No 19 (madd Ke Qaide) Madd ki teen qismein bayan ki gayi hain. Pehli aur doosri qism mein do alif se chaar alif tak madd hota hai jisko mutawassit (متوسط) kehte hain aur teesri qism madd laazim mein teen alif se paanch alif tak madd hota hai jisko tool (طول) kehte hain. Jis ko tool kehte hain. (1) Harf E madd ke baad agar hamza usi kalima me ho to madd muttasil (madd wajib) hoga. (2) Harf E madd ke baad agar hamza doosre kalima me ho to madd munfasil (madd jaaiz) hoga. (3) Harf E madd ke baad agar sukoon (jazm) ho to madd laazim hoga. 👉 (Ek alif se zyada kheench kar padhte hain) Madd-e- Muttasil سُوٓءُ جَآءَ Madd-e- Munfasil فِيٓ أَمْرِنَا لَآ إِلٰهَ إِنَّآ أَنزَلْنَا Madd-e- Lazim الضَّآلِّينَ حَآجُّوكَ وَالصَّآفَّاتِ Note: Jab tak Harf-e-Mad (ا، و، ي) ke baad hamza ya sakin letter na ho to Mad nahi hota.

طس يس ص حم حم عسق ق ن

Takhti No 22 (Meem Sakin ke Qaide)

1. Izhaar Shafawi Jab meem sakin (مْ) ke baad ب (ba) aur م (meem) ke alawa koi bhi hurf aaye to meem ko clear awaz ke sath padhenge, Jaise hum bolte hain: “hum”, “tum” — meem clear sunai deta hai. Example: أَمْ لَمْ تَكُنْ○ لَهُمْ أَجْرٌ ○ لَكُمْ دِينُكُمْ ○ لَهُمْ رِزْقُهُمْ ○ لَمْ يَلْبِسُوا

2. Ikhfa Shafawi Jab meem sakin (مْ) ke baad ب (ba) aaye to meem ko thoda chhupa kar + ghunnah (naak se awaaz) ke sath padhenge (naak se halka stretch) أَنْ رَبَّهُمْ بِهِمْ ○ تَرْمِيهِمْ بِحِجَارَةٍ ○ وَمَا هُمْ بِمُؤْمِنِينَ ○ فَبَشِّرْهُمْ بِعَذَابٍ

3. Idghaam Shafawi Jab meem sakin (مْ) ke baad م (meem) aaye to dono meem mil jayenge (merge ho jayenge) aur ghunnah ke sath padhenge. Example: إِلَيْهِمْ مُرْسَلُونَ○ لَهُمْ مَا يَشَاءُونَ ○ فِي قُلُوبِهِمْ مَرَضٌ○ فَهُمْ مَرِيضُونَ Short Trick: Ba aaye → Ikhfa (chhupa ke) Meem aaye → Idghaam (mila ke) Ba & Meem ke alawa sab → Izhaar (clear)

Takhti No 23 (Iqlab) Tanween(ً ٍ ٌ) ya Noon (نْ) Sakin ke baad “ba (ب)” aaye to noon ko meem me badal kar ghunnah aur ikhfa ke sath padhenge. Is ko Iqlaab kehte hain. Examples: مِمۢ بَخَلَ ○ لَنَسْفَعًۢا بِالنَّاصِيَةِ ○ مِمۢ بَيْنِ الصُّلْبِ ○ كِرَامٍۢ بَرَرَةٍ ○ مِمۢ بَعْدِ○ خَبِيرٌۢ بِمَا تَعْمَلُونَ○ سَمِيعٌۢ بَصِيرٌ ○ عَلِيمٌۢ بِذَاتِ الصُّدُورِ ○ رَجِعٌۢ بَعِيدٌ ○ رَسُولٌۢ بِمَا لَا تَهْوَى

Takhti No 24 (Idgham) Jab نْ (Noon Saakin) ya Tanween ke baad huruf-e-yarmaloon (ي ر م ل و ن) mein se koi hurf aaye to us Noon/Tanween ko agle hurf se jod dete hai, Ise Idghaam kehte hain. (Laam, Raa -ل ، ر ) ke sath ghunnah nahi hota (Idghaam Taam) (Yaa, Noon, Meem, Wao - ي ، ن ، م ، و) ke sath ghunnah hota hai (Idghaam Naqis) Example: Idgham-e- Bila Ghunnah مُحَمَّدٌ رَّسُوْلُ اللّٰهِ ○ مِنْ رَّبّکَ○ رَّءُوْفٌ رَّحِیْمٌ ○ عِیْشَةً رَّاضِیَةً مِنْ لَّدُنْهُ ○ كُلٌّ لَّهٗ ○ رِزْقًا لَّکُمْ ○ اَفّ لَّکُمْ ○ مِنْ لَّدُنْہ ○ Idgham-e-Ma'a Ghunnah مِنْ یَّوْمِ ○ مَنْ یَّقُوْلُ ○ وَجُوْهٌ یَّوْمَئِذٍ ○ اَنْ یَّشَآءَ ○ رَّحِیْمٌ وَدُوْدٌ ○ اِنَّ وَهَبْتُ ○ رَسُوْلٌ مِنَ اللّٰهِ○ صِرَاطًا مُّسْتَقِیْمًا ○ فَمَنْ نَّکَثَ ○ مِنْ نَّصِیْرٍ ○ مِنْ یَّوْم ○ مِنْ وَالٍ

Takhti No 25 Rasmul Khat (رسم الخط) Quran mein kai jagah و (Wao), ا (Alif), aur ی (Ya) likhe hote hain lekin padhe nahi jaate. Un letters par ek chhota sa gol daira (○) ya cross ka nishaan laga hota hai jo batata hai ke us letter ko chhod kar parhna hai

Takhti No 26 Alamat-e-waqf (علامات وقف) Quran mein kai jagah و (Wao), ا (Alif), aur ی (Ya) likhe hote hain lekin padhe nahi jaate. Un letters par ek chhota sa gol daira (○) ya cross ka nishaan laga hota hai jo batata hai ke us letter ko chhod kar parhna hai. Isay Aayat kehte hain. Yahan zaroor rukna chahiye.

Aise gol nishan (○) ko ayat kahte hai yaha ruk jayen. Ye (۵) misle ayat ke hai yaha ayat ke tarah waqf kren. Waqf-e- Lazim (م) Yahan rukna lazim hai. Waqf-e- Mutlaq (ط) Yahan rukna behtar hai. Waqf-e- Jaiz (ج) Yahan rukna behtar hai. Waqf-e- Majooz (ز) Yahan rukne ki ijazat hai. Waqf-e- markhas (ص) Yahan zaroorat ke waqt ruken. Waqf Qalika (ق) Yahan rukne mein koi harj nahi. Yaha par (ک) ka matlab pichhli alamat hai. Yeh Mu’anaqa ki nishaan hai. ( مَعَ ) Do jagah teen-teen nuqte hote hain ek kisi ek jagah ruk jaye or ek jagah mila kar padhe. Yahan (قَفْ) ruk sakte hain koi harj nahi. Qad-yoosal (صل) ruk sakte hain lekin na rukna behtar hai. Yahan (صلے) mila kar padhna chahiye. Agar (لَا) ayat (○) ke upar ho to ruk sakte hain or ibarat ke andar ho to nahi rukna chahiye. Yahan (سَکْتَہ) thodi der awaaz rok kar saans jari rakh kar padhen. Yahan (وَقْفَہ) sakta se zyada der awaaz rok kar rakhen or sans jari rakh kar padhe.

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